aifei0228 |
2010-03-14 16:57 |
考博英语论文
RZ 4xR ilJeI@ 01 B7BXS*_b The `]%\Y>(a} Language 5{/CqUIl of hiO:VA Music kzU
;24"K A painter hangs his or her finished pictures on a wall, and everyone can see it. A composer writes a E`s9SE work, but no one can hear it until it is performed. Professional singers and players have great {,EOSta responsibilities, for the composer is utterly dependent on them. A student of music needs as long and tgoOzk
^ as arduous a training to become a performer as a medical student needs to become a doctor. Most 'NCxVbyYD training is concerned with technique, for musicians have to have the muscular proficiency of an >`L)E,=/ athlete or a ballet dancer. Singers practice breathing every day, as their vocal chords would be 2ED^uc:
0S inadequate without controlled muscular support. String players practice moving the fingers of the left 5dOA^P@`,M hand up and down, while drawing the bow to and fro with the right arm—two entirely different =qPk'n9i8 movements. D>"U0*h Singers and instruments have to be able to get every note perfectly in tune. Pianists are spared this 8&snLOU
-Q particular anxiety, for the notes are already there, waiting for them, and it is the piano tuner’s tk3%0XZH responsibility to tune the instrument for them. But they have their own difficulties; the hammers that zWvG];fsN hit the string have to be coaxed not to sound like percussion, and each overlapping tone has to sound n.zVCKNH clear. 5c6CH k`: This problem of getting clear texture is one that confronts student conductors: they have to learn to Y^5X> know every note of the music and how it should sound, and they have to aim at controlling these dv3+x\`9 sound with fanatical but selfless authority. r"#h6lYK& Technique is of no use unless it is combined with musical knowledge and understanding. Great artists V"":_`1VW are those who are so thoroughly at home in the language of music that they can enjoy performing [P#^nyOh( works written in any century. QYDTb=h~ 02 `L0aQ$'>z Schooling Zur7"OkQ and CORX .PQ Education "h.}
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