PART I: Cloze (20 points) hhM?I$t:
Directions: Choose the best word(s) for each numbered blank. !4/s|b9K
Production workers must be able to do statistical quality control. Production workers must be C$<['D?8
able to do just-in-time inventories. Managers are increasingly shifting from a "don't think, do what U2DE zr
you are told" to a "think, I am not going to tell you what to do" style of management. Zv"qA
This shift occurs not because today's managers are more ___(1)___ than yesterday's managers, M>yt\qbkA
but because the evidence is mounting that the second style of management is more ___(2)___ than Ih;I&D+e;
the first style of management. But this means that problems of training and motivating the work < %t$0'
force both become more central and require different models of behavior. 7`G
FtX}
To be on top of this situation, tomorrow's managers will have to have strong background in W]-c`32~S
organizational psychology, human relations, and labor ___(3)___. The MIT Sloan School of quickly ol7^T
management attempts to ___(4)___ our understanding in these areas through research and then <y!(X"n`
quickly bring the ___(5)___ of this new research to our students so that they can be leading-edge !8Mi+ZV
managers when it comes to the human side of the equation. n a3st*3V_
The first three decades after World War II were ___(6)___ in ___(7)___ the United States had a 1UwpLd
huge technological lead ___(8)___ all the rest in the world. In a very real sense, ___(9)___ hgmo b"o
technological competitive. American firms did not have to worry about their technological "Xz [|Xl
competitiveness because they were ___(10)___. 's>./Pf
But that world has disappeared. Today we live in a world where American firms ___(11)___ <0M2qt8
have automatic technological ___(12)___. In some areas they are still ahead, in some areas they are "Ei' FM
_ <W2YG6^i
__(13)___, and in some areas they are behind, but on average, they are average. Q\qI+F2?
___(14)___ this means is that American managers have to understand the forces of technical upc-Qvk
change in ways ___(15)___ were not necessary in the past. Conversely, managers from the rest of Lt?k$U{qe)
the world know that it is now possible for them to dominate their American competitors if they j
+u3VP
understand the forces of technical change better than their American competitors do. f.{/PL
In the world of tomorrow managers cannot be technologically ___(16)___ ___(17)___ their f8vWN
functional tasks within the firm. They don't have to be scientists or engineers inventing new Ce.*yO<-
technologies, ___(18)___ they have to be managers who understand when to bet and when not bet :vWixgLg
on new technologies. If they ___(19)___ what is going on and technology effectively becomes a zAA3bgaa
black box, they ___(20)___ to make the changes. They will be losers, not winners. $Ao
iH{f
1 a. enlightened b. enlightening c. enlightenment d. enlighten ~z$+uK
U3rpmml
2 a. sterile b. producing c. productive d. extravagant BqG7Et
3 a. economics b. economic c. economy d. economies hI}rW^o^
4 a. take b. arouse c. rise d. advance !`S61~gE
5 . a. results b. evidence c. content d. fruits L`@)*x)~R
6 a. usual b. flawed c. unusual d. unessential ;]I~A
GH:
7 . a. which b. / c. that d. those 'ngx\Lr
8 a. by b. over c. on d. upon i0py5Q
9 a. was the world not b. the world was not c. did the world be not d. was not the world 9|5>?'CqP
10 a.superior b. super c. inferior d. junior 1yT\|2ARZ%
11 a. still b. even c. neither d. no longer d.:.f_|
12 a. superiority b. inferiority c. majority d. minority 3+tr_psH
13 a. common b. average c. ignorant d. exceptional US2Tdmy@05
14 a. How b. That c. What d. Which @mRda%qR
15 a. that b. they c. those d. who M7.
fz"M
16 a. illiterate b. sophisticated c. literate d. omniscient m>8tA+K)+)
17 a. regardless b. in spite of c. despite d. regardless of =qy{8MsjA
18 a. and b. likewise c. furthermore d. but #1VejeTi
19 a. didn’t understand b. don't understand c. haven’t understood d. hadn’t understood r3mQoTvnv
20 a. failed b. would have failed c. would fail d. would be failed P%_PG%O2p
YM4njkI7
3lo.YLP^
. \L4+Dv<z
PART II: Reading Comprehension (30 points) $]I",ef
Directions: Choose the best answers based on the information in the passages below. kp>AZVk
Passage 1 UukHz}(E
The leaders of the mythopoetic men's movement believe that modernization has led to the 1EcXvT=
feminization of men. Mythopoets believe that the rise of the urban industrial society "trapped men g4=6\vg
into straitjackets of rationality, thus blunting the powerful emotional communion and collective ;&?l1Vu
spiritual transcendence that they believe men in tribal societies typically enjoyed". Most w/Ej>OS
importantly, the movement seeks to restore the "deep masculine" to men who have lost it in their !Q" 3B6
86
more modern lifestyles. Other causes for the loss of the "deep masculine" include: Men no longer uU#7SX(uu
being comrades who celebrated their masculinity together. Rather, they had become competitors _?J:Z*z?
within their workplaces; Men spending more time in their houses with women than they did with ~ @Au <
men (in non-competitive terms outside of work). Excessive interaction with women generally kept {nyVC%@Y
men from realizing their internal masculinity; Feminism is bringing attention to the “feminine nd?R|._R
voice.” Through this, the mythopoetic men felt that their voices had been muted (though Bly and itmQH\9 8
others are careful in not blaming feminism for this); The separation of men from their fathers kept ~n$e
them from being truly initiated into manhood, and was a source of emotional damage. Men were q" %;),@
suffering further emotional damage due to feminist accusations about sexism. Men should celebrate $IB>a
their differences from women, rather than feeling guilty about them. Men is being discouraged from wU =@,K
expressing their emotions. Male inexpressivity is an epidemic and does not correspond to their 8 ?+t+m[
"deep masculine" natures. Groups of primarily white, middle-aged, heterosexual men from the ~.'NG?
%7P
professional class retreated from their female loved ones in order to join in spiritual rituals that "Ca?liy
emphasized homosociality, with the central goal of reclaiming the parts of their masculinity that q,H
0=\
they had lost called the "deep masculine." Because most men no longer perform masculine rituals, Mk"V%)1k
mythopoets assert that men have mutated into destructive, hypermasculine chauvinists, or, in the \%ZF<sVW
opposite direction, have become too feminized. The mythopoetic men performed rituals at these \hcb~>=C
gatherings, which were meant to imitate those performed by tribal societies when men initiated rBUdHd9
boys into a deeply essential natural manhood. The movement emphasized the importance of oztfr<cUH
including multiple generations of men in the rituals, so that the men could learn about masculinity B U^3U x$
from those who were older and wiser. Characteristic of the early mythopoetic movement was a !b+/zXp3I
tendency to retell myths, legends and folktales, and engage in their exegesis as a tool for personal wZV/]jmlEt
insight. Using frequent references to archetypes as drawn from Jungiananalytical psychology, the 5I(gP
movement focused on issues of gender role, gender identity and wellness for the modern man (and 38hA guZX
woman). Advocates would often engage in storytelling with music, these acts being seen as a $A/$M\:
modern extension to a form of "new ageshamanism" popularized by Michael Harner at 8>sToNRNe
approximately the same time. The movement sought to empower men by means of equating ZxRD+`
archetypal characters with their own emotions and abilities. For instance, Michael Messner ~+GMn[h
describes the concept of "Zeus energy" as emphasizing "male authority accepted for the good of the 6k=ink-/
community". Beliefs about the emotional system based in archetypes of great men, mythopoets _=.f+1W
sought to channel these characters in themselves, so that they could unleash their "animal-males". N?'V,p
0=
This group primarily analyzed the archetypes of King, Warrior, Magician, Lover and Wildman. -H%806NAX7
As a self-help movement the mythopoetic movement tends not to take explicit stances on 'b*
yYX<
political issues such as feminism, gay rights or family law (such as the issues of divorce, domestic x@I(G "
violence or child custody), preferring instead to stay focused on emotional and psychological v_gQCS
well-being. Because of this neutrality, the movement became a site of social criticism by feminists, C>qKKLZ
and was often characterized as anti-intellectual as well as apolitical. Michael Messner once gave a _:,:U[@Vz
speech at a gathering, in which he addressed the dangers of celebrating the warrior, as instances of )bqfj>%#c
rape are higher in countries that glorify war. The mythopoets responded that they were not Z5 uetS^
interested in intellectual or political pursuits, but were primarily concerned with conducting y6lle<SIu
spiritual and emotional work. Additional feminist critique revolved around the movement's absence 5Z 7 <X2
of women's perspectives, as well as the essentialism in the movement's teachings. wnL\.%Y^
Comprehension Questions: *:q3<\y{
@eRR#S
_U.D*f<3)
21. The mythopoetic men's movement can best be understood as ________________. ; J~NfL
a. a men’s literary movement ()Z! u%j
c. a men's rights movement !79^M
b. a men's liberation movement h7NS9CgO
d. a second-wave feminist movement 2NLD7A
22. The mythopoetic men's movement consists of groups of men who retreated from their female -,Q
!:
loved ones in order to strive for ________________. 4+od N.
a. gay rights krPwFp2[*
b. same-sex marriage c|lo%[]R!
c. masculinity x1\,WOrmK
d. myths, legends and folktales 3[E3]]OVa
23. The idea that modernization has led to the feminization of men means that fPf8hz>
_________________. Wc4F'}s
a. men cannot be themselves ')w:`8Tl
c. men’s voices have changed J#7\R':}zl
b. men can no longer make friends \f6SA{vR|
d. men cannot express themselves \`\& G-\
2 66*/"dBwm
24. The root issue is ________________. #Jv|zf5Z
a. feminism #5xK&qA
b. masculinity 37DyDzW)'
c. sex W3s>+yU
d. gender @vdBA hXk
25. According to the text, the causes for rape must be sought in _________________. &v7$*n27
a. the celebration of the archetype of the warrior 5o 4\Jwt
b. the unleashing of men’s "animal-males”
x2*l5t
c. domestic violence 0Ym+10g
d. the loss of masculine rituals `9BZ))Pg
_FXvJ}~m
Passage 2 JsohhkJNGi
Although in the novel the millennium has been and gone, there are no references at all to real ;/w-7O:
contemporary American or global political events of the time of writing. Chapstick, Pledge, and pj:s+7"t
Skevener in their study The Endless Loop of History: Space Time in the work of David Foster 0|kkwZVPn
Wallace (London 2001) have already noted the way Infinite Jest divorces itself from history by the O4w6\y3U
use of sci fi elements. They note how compared with the American post moderns, whose works (3Hz=k_
interact with real historical time, Infinite Jest takes place in an ahistorical, allegorical time. DFW’s @> n7
invention of Subsidized Time, and the renaming of years after products and companies shows the pvdM3+6
way in which the soul-rotting effects of advertising infect time as well as internal and external U~8;y'
space (cf: Phillip K Dick’s adverts projected onto the moon in The Man in the High Castle). U.]5UP:a
Otherwise, the ubiquitous presence of advertising in contemporary daily life is absent from the 6)i4&
novel. Actually, this is not correct. The theme of waste management (also the underlying structure |[apLQ6
of Don DeLillo’s novel Underworld) reflects some of the anxieties of the 90s, the decade in which $+CKy>
the novel was written: namely, global warming, environmental concerns, nuclear waste 1h uU7xuf
management, including its export to third world countries, the trading of carbon emission points, ;}v#hKC~
futures swaps in carbon footprints etc. DFW is here simply satirizing contemporary concerns; and a :.8@ xVH
Freudian reading of this theme is both unnecessary and not really illuminating, Don Gately’s work YJdM6
as a shit hoser notwithstanding. DFW’s use of spurious knowledge and scholarship (including a KE>|,Ur
spurious academic apparatus at the back of the book) has been amply commented on, especially the xQLVFgd
doubtful physics of J.O. Incandenza’s work with lenses and nuclear annulation, and the iffey math jeb]3i=pw
involved in the Eschaton game. By his use of the spurious DFW is not only satirizing the discourse &QHZ]2%U
of academic knowledge, but making a serious point about the extent and typology of knowledge 7i-G5%w7
itself. Once knowledge becomes so specialized as to become comprehensible to only a very few .g/PWEr\I
those firmly inside the discourse- what status does that knowledge gain? To those outside the |^l17veA@
discourse, the knowledge can only be taken on trust, and therefore all manner of hoods may be `sW+R=
winked. In this case the boundaries between the fictional and the real become blurred, a matter for 'W'['TV
argument. We are used to questioning the reliability of the narrative voice in fiction, but not so able d$DNiJ ,
to question in the same way the reliability of academic discourse or specialist knowledge. The $K& #R-
presence of the spurious next to the real infects the real, inviting us to extend our distrust of okwkMd-yW
fictional narrative to non-fictional exposition, the fiction (le mensonge) and the truth become jEK{QOq0
mirrors of each other. The title of a work stands in metonymic relationship to the content of the ;t6)(d4z?
work: War and Peace, for example, signifies the two main themes and structuring devices of that !*I0}I
~
novel. For existing books, (real, read books), the title summons up everything we know or [f ._w~
remember about the book. Where that work is non-existent (fictional, spurious, lost or simply #bIUO2yVo
unknown/unread) the title acts as an empty signifier, which we can fill with our imagination, Dx1f<A1
effectively writing the work ourselves in a flash. Barthes calls these bookless titles prolepses; V
LXU
Nabokov creates summaries and detailed commentaries for them (in Pale Fire and The Real life of g>gVO@"b2
Sebastian Knight); Borges bases his whole stylistics on this process of metonymic expansion; and 9Rf})$o+
Eco fills entire imaginary libraries with these fantastical books. DFW for his imaginary works, like IA6,P>}N
Hoffmann, has a penchant for excessively long and humorous titles, whose length guides us in this 0NB5YQ8_]
process of creation cf: Good Looking Men in Small Clever Rooms that Utilize Every Centimeter of FdwlRu G
Available Space With Mind-Boggling Efficiency (title of one of J.O. Incandenza’s entertainments), 5~ip N/)E
and Mousetraps and their Influence on the Character and Achievement of the Feline Race (title of @#u'z~a)
one of Murr’s books from Hoffmann’s The Life and Opinions of the Tomcat Murr). 0,{tBo
yb/v?q?Fk
Comprehension Questions: %f-Uwq&}Y"
26. According to the author, the use of some of the anxieties of the 90s does not contradict the KkK
!E
proposition that the novel Infinite Jest takes place in an ahistorical time because b^s>yN
______________. 506AvD
a. the millennium has been and gone 1yK=Yf%B
b. DFW is here simply satirizing contemporary concerns ^X\{MW'>4
c. DFW’s invention of Subsidized Time (_ TKDx_
d. he uses sci fi elements y+aL5$x6
27. DFW’s invention of Subsidized Time exemplifies _______________. !'5t(Zw5
a. the ubiquitous presence of advertising in contemporary daily life Y^(NzN
b. the commercialization of American society PrQs_tNi
c. the endless loop of history a +lTAe
d. American post modernism 0}4FwcCr\
28. Following Roland Barthes, which of the following titles would be an example of prolepsis? o0B3G
a. War and Peace. +Rq7m]
b. The Real life of Sebastian Knight p=jIDM'
c. Mousetraps and their Influence on the Character and Achievement of the Feline Race. 4xsnN@b
d. The Life and Opinions of the Tomcat Murr j0(+Kq:J
29. An innovation by DFW to post modern fiction is exemplified by ________________. ^v+7IFn
a. the unreliable narrator d@QC[$qXj
b. the distrust of academic discourse ,!I'0x1OR
c. the process of metonymic expansion uzO3 _.4Y
d. fictional, spurious, lost or simply unknown/unread works {!av3Pz\
30. The title of the novel suggests that it is ________________. sqjv3=}
a. an allegory ~'u %66
b. a parody G
]JWd
c. an apophasis K[Ao_v2g
d. a procatalepsis ];7/DM#Np
Passage 3 > Du>vlTY
According to the Koran, it was on a Tuesday that Allah created darkness. Last September 11, R)u ${
when suicide pilots were crashing commercial airliners into crowded American buildings, I did not bA*T1Db,t>
have to look to the calendar to see what day it was: Dark Tuesday was casting its long shadow zrazFI0G
across Manhattan and along the Potomac River. I was also not surprised that despite the seven or so ufc_m
4PN
trillion dollars that we have spent since 1950 on what is euphemistically called “defense,” there 'X]my
would have been no advance warning from the FBI or CIA or Defense Intelligence Agency. %>)&QZig/
While the Bushites have been eagerly preparing for the last war but two—missiles from North m=e#1Hs
Korea, clearly marked with flags, would rain down on Portland, Oregon, only to be intercepted by nq3B(
our missile-shield balloons—the foxy Osama bin Laden knew that all he needed for his holy war on B>{\qj)%
the infidel were fliers willing to kill themselves along with those random passengers who happened dq
U.2~9
to be aboard hijacked airliners. =F>nqklc
For several decades there has been an unrelenting demonization of the Muslim world in the _>)=c<HL
American media. Since I am a loyal American, I am not supposed to tell you why this has taken j[q$;uSD
place, but then it is not usual for us to examine why anything happens; we simply accuse others of :1(UC}v
motiveless malignity. “We are good,” G.W. proclaims, “They are evil,” which wraps that one up in TU,k(
`tn<
a neat package. Later, Bush himself put, as it were, the bow on the package in an address to a joint 0Q= o"@
session of Congress where he shared with them—as well as with the rest of us some-where over the J"W+9sI0
Beltway—his profound knowledge of Islam’s wiles and ways: “They hate what they see right here q oJ4w7
in this Chamber.” I suspect a million Americans nodded sadly in front of their TV sets. “Their e) x;3r"j
leaders are self-appointed. They hate our freedoms, our freedom of religion, our freedom of speech, t
9Dr%#
our freedom to vote and assemble and disagree with each other.” At this plangent moment what M_monj}Z
American’s gorge did not rise like a Florida chad to the bait? sxBRg=
A member of the Pentagon Junta, Rumsfeld, a skilled stand-up comic, daily made fun of a /qalj\ud
large group of “journalists” on prime-time TV. At great, and often amusing, length, Rummy tells us [AHZOA
nothing about our losses and their losses. He did seem to believe that the sentimental Osama was ( O>oN~
holed up in a cave on the Pakistan border instead of settled in a palace in Indonesia or Malaysia, 6"UL+$k
two densely populated countries where he is admired and we are not. In any case, never before in 7h3JH
our long history of undeclared unconstitutional wars have we, the American people, been treated uY5Gn.Y
with such impish disdain—so many irrelevant spear carriers to be highly taxed (those of us who are Y><")% Q
not rich) and occasionally invited to participate in the odd rigged poll. {<_9QAS
The Bush administration, though eerily inept in all but its principal task, which is to exempt the .Iret:
rich from taxes, has casually torn up most of the treaties to which civilized nations subscribe—like /\B[lRn
the Kyoto Accords or the nuclear missile agreement with Russia. The Bushites go about their :%hxg
relentless plundering of the Treasury and now, thanks to Osama, Social Security (a supposedly 3M&IMf,/@
untouchable trust fund), which, like Lucky Strike green, has gone to a war currently costing us $3
LbeMP
billion a month. They have also allowed the FBI and CIA either to run amok or not budge at all, <Gr775"
leaving us, the very first “indispensable” and—at popular request—last global empire, rather like ,UD,)ZPf[
the Wizard of Oz doing his odd pretend-magic tricks while hoping not to be found out. Meanwhile, J&